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OF TEARS, NO AMOUNT CAN QUENCH MOUTHS MAIMED BY DROUGHT

by Andy the Doorbum

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1.
will you come to the table to mourn where your dinner is no longer warm leaving what you've been fed in a pan by your bed lying down in the holes that your body has worn on the mattress where your child was born will you offer the stranger your home when you crawl off to lie down alone and allow them to stay as you wander away leaving all you've possessed all that you've ever known will it matter where it goes when you are gone will you come to the table to mourn?
2.
take these words and spit them in a wad of toilet paper make the bedsheets wet with the mistakes you've pissed into existence watch the sunrise fade into the day and fall into the silence of a peace that never comes until it's gone and thus forgotten still you will defend all the choices you pretend you were making for the sake of something you believed would stand but on the shores of changing oceans those beliefs are grains of sand pass them off as truths until they soothe your swelling blisters point your finger down your throat to blame the vomit on the others let the fear you've reared taint your tongue with that bitter awful taste then lick your wounds until they fester so they'll never go away still you will defend all the choices you pretend you were making for the sake of something you believed would stand but on the shores of rising oceans beliefs wash away like sand
3.
it kills me I do it I scrape the blood from my teeth no life is worth living so bleach the reef the leeches are swimming mating in pools so shallow no thought toward forgiving we have arrived that human being it must survive at any cost all else aside soiled diapers cigarette butts strewn across the desert wasted decomposing a soft lament just bones now forgotten with love from tired ancestors once ripe fruit now rotten so bleach the reef that human being it wants to thrive as a result all else will die
4.
high atop a lofty summit there's a man who rules the world far below inside the mantle there's a woman dressed in gold and his heart is a mole where in the world is it going how will we know when it gets there can beauty really be stolen by men who covet a glimmer high atop a lofty summit there's a man who rules the world far below inside the mantle there's a woman dressed in gold and his heart is a mole digging to tap in the vein that cradled her with such old passion he breaks it up with a pickaxe parades her round on his finger and she shines like the sun and if she waits long enough his finger will be gone and his heart is a mole
5.
let it rot please let it that's what it's meant to do and should I soften in a similar spot oh, I hope you let me rot too let it burn just let it it's not about the tree that soil below is greater than any forest but it needs their ashes to stay healthy oh, I watched a torch light for freedom miles off from where I laid but when I crawled to feel the warmth of its glow oh, my home was melted away let it go just let it that's what it's meant to do and should I burn up if the flames get too hot oh, I hope my ashes blanket you
6.
I saw a ghost today an old friend walking down the street there were no words to say his absent gaze fell limply at my feet it made me think of you as though he knew somehow that you had loved me once he read my mind like a police officer reads out a search warrant what did he find illegal substances a voyeuristic shot of you asleep in bed I miss his cold dead hand and the way it caressed the warm folds of my brain I felt him breathe again and now he's gone the air is still although I move at decent speeds there is a buzzing sound my ears hear but my heart cannot believe there are no words to say so I say every one that I can speak in hopes I'll find your name and one day your ghost will come back to me
7.
it says to take one so I take ten it don't seem wrong until I fall for thirteen years I couldn't remember a thing suddenly I can see it all it says take one so I take ten who knows if I'll ever see anyone again oh, but I told them I would call when I get to a place where they have phones out in the Arctic building steeples there isn't any place in this whole world free of gods or people we've slept too long here in the lion's den it says take one, oh, but we take them all there's nothing left now but a hole to hell how much you wanna bet we fall it says take one so I take ten who knows if I'll ever see anything again and will it matter then at all they cut us all a deal on sheepskin and for them we build up their mighty wall evolved to run at miraculous speeds what does that matter when we crawl in stall it says take one so I take ten
8.
night comes but the birds won't stop singing it's a beautiful performance, oh, why does it drive me insane there's a pool in the stream where the mosquitoes breed and one's found its way into my brain each drop of sweat from my head hits the floor with the force of restraint and from my room I can hear the woods calling they address me as though by some miracle they know my name when a creature's alone for some time it is shown glimpses of the eternal debate what is this shell I'm in and what happens when I escape night comes but the birds won't stop... we are all at fault we are all in charge we are all alone we are one we are all at fault we are all in charge we feel all alone because we are one

about

‘Of Tears...’ is the 8th solo full length album by Andy the Doorbum. It is a personal journey centered around the process of grief. It was largely written in 2019 while his father, whom he had a complicated and turbulent relationship with, faced cancer. That’s where the grieving started though he was still very much alive. The album opens with a field recording of his father speaking about his imminent death after his diagnosis. Due to that ongoing illness the project was delayed. His father died two days shy of Christmas that year while Andy and his brother slept on the floor next to his bed. Not long before that their father said to them, “Boys, this world is going to hell, and I’m glad I won’t be here to see it.” Two months later the global pandemic hit. It was then the realization came that the grief wasn’t just for Andy, his father, or his family. It was a grieving of the world, and its weight truly began to sink in as the upheavals plainly unfolded. The sickness/death enveloping societies, the blatant inequalities/injustices consuming marginalized communities, the rising wave of autocratic/ authoritarian ideologies, the wars, the upending of weather patterns that govern the very life of the planet itself. It became clear that there was a whole world worth grieving for, a darkness in which the small glimmer of light left was worth raging to save. Grief is a peculiar thing. Gruesome and beautiful and necessary in equal parts. This record is an attempt to sit within the winter of all of it, and to spring back to life amongst the rising chorus of hopeful birds on the other side.

(It should be noted this somber offering of music is layered amongst field recordings collected by Andy himself across 10 US states and 7 countries)

credits

released November 1, 2023

Written, recorded, performed, and mixed by Andy the Doorbum (except where otherwise noted) in Charlotte, NC and Los Angeles, CA.
Album art by Andy the Doorbum.
Mastered by John "Spud" Murphy at Guerrilla Sounds Studios in Dublin, IE.
Additional percussion mixing by Coady Scott Willis.
Additional musicians/vocalists: Radie Peat, Cormac MacDiarmada, Daragh Lynch, Ian Lynch, JoyThroughNoise, and Molly Jay.

Members of Lankum appear courtesy of Rough Trade Records.

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Andy the Doorbum

Andy the Doorbum has been writing and recording his own music since he was 9 years old.
His discography ranges from eccentric lo-fi caterwauling to lush self-recorded pieces described as "filling a darkening void with a pitch black effort." All of this is done with the goal of finding the beauty in the ugly reality of the world. Growth from upheaval. Art for survival. Creativity or extinction. ... more

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